DeArmond-style pickups require specially cut spacers, but they’re easy to find online. Since Filter’Trons and HiLo’Trons are screwed directly onto the body, you have to put springy foam spacers under the pickups to push upwards. His recommended starting point is a 3/16-inch gap between the polepieces and the two E strings. Gretsch pickup guru TV Jones has been banging on about this for years and there’s a page on his website dedicated to pickup adjustments. Unfortunately, vintage Gretsch pickups had no provision for height adjustment and many players have simply put up with things rather than explore the options. You can achieve massive improvements in bass and treble balance, as well as overall tone, if you get the distances between the polepieces and strings just right. These foam shims have been on the guitar for a while, but they’re still doing the job Shim your pickups Foam rubber is the best stuff for shimming up Filter’Tron and HiLo’Tron pickups. ![]() Pins or small screws can then be used to fix the bridge and most choose to countersink them to make the modification as invisible as possible. The alternative is something you may ask your luthier to do for you because it involves drilling through the bridge into the top of the guitar. Some suggest that violin rosin and white glue work too, without damaging the finish. You may need to renew the tape periodically, but many find this solution lasts for years. Line the bridge up carefully using your masking- tape markers and press the base down onto the body. Carefully mark the position of the bridge by placing masking tape around the base. Start by ensuring the guitar is set-up exactly the way you like it and the intonation is as accurate as possible. ![]() ![]() This is a well-known issue with archtop guitars in general – although heavier gauge strings might help, you would be compromising playability to fix a mechanical issue.įortunately, there are various solutions of varying degrees of invasiveness. Note how the bass and treble sides are marked in pencil under the archĪlthough many new models come with this problem solved at the factory, when there isn’t enough downward pressure on a traditional Gretsch bridge, it’s all too easy for it to be knocked out of position. The backing has been removed from the treble side and the tape is so thin, it surely has little or no effect on tone transfer. Immobilise your bridge Masking tape was used to mark the correct position for the bridge, then double-sided Sellotape was applied to both `feet’.
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